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She is an instinctive actress and knows how to modulate her performance according the setting she’s in – witness her role in ‘Black’. Rani Mukherjee turns in another competent and faultless performance as Vibhavari turned Natasha. This being a Yash Raj Film, location mascot Switzerland also puts in an appearance. Bombay, by contrast, has a harsh and glittery aspect. With a strong visual sensibility, the director colors the ghats and the river in orange and gold nostalgic tones, signifying the innocence and purity that Natasha/Vibhavari has left behind.
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The holy city of Benaras is as much a character in the movie as the flesh and blood ones. Also, the film is beautifully shot and crisply edited. I mean, ‘Chandni Bar’ was a much better representation of what happens to such women but few of us want to put ourselves though the pain of suffering along with the character. Still, the lack of identification with the hapless girl makes it easier to watch the movie and therefore makes it more commercially viable. Apparently it is a remake of a movie called Aaina, from the 70's. A hoarding for Chak De dates the movie, but both in treatment and plot LCMD feels like a throwback to a different decade.
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Not only does this raise some obvious questions, but when you consider the plight of the typical stray that washes up on the shores of the metropolis, it is hard to control your skepticism. For instance, Vibhavari, our heroine, manages to make some friends in Mumbai who help in transforming her( a la Eliza Doolittle) from a country bumpkin to an elegant high class call girl called Natasha virtually overnight, making her capable of earning thousands of rupees in a single encounter. While the issue is serious, it is treated with the gloss associated with the Yash Raj banner and that creates a certain detachment on the part of the viewer. How her secret life impacts her family and future is the subject of the movie. In brief, LCMD traces the story of a young girl from a small town who is forced to become an escort after her family finds itself in dire financial straits.
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Subtitled ‘The Journey of a Woman’, LCMD is director Pradeep Sarkar’s second film after ‘Parineeta.’ After that film received critical and commercial acclaim, the director moved up, budget-wise, to helm his second directorial effort under the banner of Yash Raj Films.